How different is a vocal training of a choir? - ImPulzus

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How different is a vocal training of a choir?

[/vc_column_text][vc_column_text]Written by: Csaba Tőri

October 27, 2018[/vc_column_text][vc_column_text]In one word: a lot :)

When you found an amateur choir, you do not dream of building up a choir from well-educated singers. Of course, if it works well, there will be often choir members, who will feel ambition for more self-improving, but as a conductor you should expect that the “spine” of the choir will always be those who are engaged for the community, but do not consider themselves as professional musicians.

So that if someone would like to be a soloist, it usually happens that a choir will not too big motivation for them, moreover a lot of times they should give up the vocal training principles that are evident for them, because there is no other tool that help to assimilate into the common sounding.

A well-trained singer would solve any kind of situation naturally.
Sometimes it happens that after a couple of years of vocal training, they emerge from the community that launch their improvement; later the private lessons are cancelled, but they have no time to reconnect – so playing music will temporarily will disappear from their life.

Our aim is double, when we teach vocal trainings for choirs: on one hand we would like to have everyone to sing healthy without pain (since I wrote it first, I have realized how common this problem is); on the other hand we would like that everyone could do this in a way that the community they belong to could be around them.

We are over several concerts where we could experience that a singer’s vocal knowledge – let it be with awareness or skill-based – is essential. every play would be grateful when the singers learn not only the notes, but the technical part of it, even the whole music interpretation. Nevertheless, if somebody can do that, it is worth to step forward to the solo roles. Within our choirs we could observe that there was else that provided more improvement in self-esteem than a couple of arias or to sing a part of any musicals successfully.

Otherwise there is a difference in the technical exercises too: while a singer with professional ambition like to invest months or years in learning a technical element, an amateur singer won’t have so much time for it even they have a strong desire to do so. It needs to compromise a lot of times but establishing a kind of an illusion has extreme importance: if you believe and feel that it would be successful, it will succeed easier and later much better.